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skin/not skin

Darn and (skin)graft!

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The idea of darning up a missing piece of skin on a human being sounds like the kind of medicine Lewis Caroll and Tim Burton might dream up but it could now be possible in the real world.

Work at the French National Institute of Health and Medical Research in Bordeaux showed that “any textile approach is feasible: knitting, braiding, weaving, even crocheting.” Here at Thread we work on many medical products that are in contact with the human body. The properties of textiles are well suited to close contact with the body. They can be flexible, soft, and permeable while providing support and maintaining position. When synthetic threads and scaffolds are used they can trigger an immune response.

From bin to burns..

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Most of us would rather not consider the possibility of sustaining a serious burn and in that situation the last place we would expect a medical professional to look for a treatment option would be food waste but sometimes the most valuable things are in the oddest places. The skin of the Tilapia fish has been trialed as a dressing for 2nd and 3rd degree burns at the IJF (Institute Doctor José Frota) Hospital in Fortaleza, Brazil. The research was instigated by Marcelo Borges, a plastic surgeon who had spent three decades working on burn wounds. He read an article about the use of Tilapia skin in handcrafted products that mentioned that the other 99% that wasn’t used was a worthless waste product. Human and pig skins are already in use as a treatment in certain burns cases but these specially prepared, sterilised and stored skins are not available in high enough volumes to treat Brazillian burns victims. So Borges decided to investigate if Tilapia skin would be a viable alternative and it turned out in some ways to be superior with twice the amount of collagen type 1 and 3 (important in healing and scarring) and in some cases a single application of Tilapia skin can remain on the patient until scarring and healing occur which removes the painful changing of dressing required with a cream and gauze approach.

 

Nobody’s skin…

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Assuming you’re happy that yeast is definitely not an animal (it’s a fungus….I double-checked) then Zoa is an animal-free alternative to leather. as far as I understand it there’s a bit of DNA cut-and-shut which is re-homed into little yeast cell factorys which grow the Zoa. No animals so no expensive feeding of animals and no expensive and ethically-open-to-discussion killing animals. It’s been in development for years and is finally being tweaked and embodied into products as we speak. Sadly not by us (yet) but we hope to get our hands on some soon. We’re always looking for more materials to add to our library.

Website link: Zoa by Modern Meadow

 

 

Whose skin?

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This morning I was looking at the Pantone website as we want to update our colour reference materials. My eye was caught by their skin matching books which claim to provide “a comprehensive visual reference of human skin tones”. The front cover appears to show a fair range but how they’ve fanned out the sample book seems to reinforce the default of ‘skin’ colour meaning caucasian skin colour. This is an assumption we came across when we worked on prosthesis cosmeses (covers for prosthetic limbs) that have a ‘skin’ colour stocking over the top. It’s interesting to note that truly inclusive design needs to start the second we open our mouths, at the very start of any discussion.

Website link: Prosthesis Cosmesis design: improved realism, longer life

Fungus based leather alternative

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We’re always interested to come across materials that meet particular requirements. In this case a leather alternative that is not an animal product. Muskin is a material based on a large parasitic fungus that grows on trees in subtropical forests. It is similar in appearance to suede-leather and its texture can be stiff like cork or softer.

It reminds me of another unusual textile I’ve written about before here

Website link: MuSkin, LifeMaterials

BioCouture jacket shoulder detail

Pickled fabric? Not quite, but it is grown in a jar.

Fermenting cellulose

Fermenting cellulose

Designer Suzanne Lee has produced (and continues to develop) a fabric that comes from a zoogleal mat formed during the fermentation of a sweetened tea. The fabric that is produced is still made up of cellulose (like cotton, linen, viscose and rayon) but it comes not from plants but from bacteria. The fabric that is produced has similarities with very thin leather, though sadly it’s performance in the rain is less resilient as it tends to become a little mushy.

It sounds as though the fabric is being developed further so I look forward to seeing its progress.

Website link: Popular Science, BioCouture

Website link: BioCouture